By Victoria Grace
This arguable ebook is the 1st systematic feminist interpreting of the paintings of Jean Baudrillard, essentially the most pivotal figures in modern cultural thought, and is vital analyzing for college kids of feminist idea, sociology and cultural theory. Drawing at the complete diversity of Baudrillard's writings the writer engages in a debate with: * the paintings of Luce Irigaray, Judith Butler and Rosi Braidotti on identification, strength and hope* the feminist situation with 'difference' as an emancipatory build* writings on transgenderism and the functionality of gender* feminist issues in regards to the objectification of ladies. via this serious engagement Grace unearths a number of the obstacles of a few modern feminist theorising round gender and identification, patriarchy and gear, and in so doing bargains a fashion ahead for modern feminist proposal.
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Extra resources for Baudrillard's Challenge; A Feminist Reading
These are crucial questions, but in connection with the current discussion, I do not think it is useful to try to address them in anthropological (feminist, political) terms. The question of gender and the symbolic will be the focus of a number of discussions in this book, especially in Chapter 5, where I will return to this question of the symbolic exchange of ‘women’ and engage with the feminist work of Gayle Rubin. My concern here is rather to refocus on why it is that this criticism does not necessarily undermine the importance of symbolic exchange as a logic that negates power.
Regarding human beings, the multiplicity of an individual’s ‘identities’ presumes a codified structure upon which their ‘gender identity’, their ‘cultural identity’, and so on might be ascertained in a structure of identity/difference, same as/different from, by virtue of characteristics that enable such a demarcation. At the level of the fundamental structure, or model, of identity/difference, whether these identities are singular or plural, enduring or fleeting, is beside the point. The possibility of plural, changing identities renders the structure no less essentialist, even if these identities might appear contradictory.
Baudrillard is not referring to a concept of ‘bisexuality’. To discover the significance of this we need to consider more closely Baudrillard’s (usually brief) references to gender or sexual difference in his early works, and develop his critique(s) of psychoanalysis. ’ And the second character replies, ‘what are you complaining about? ’ (SE&D: 118). He uses this dialogue to point to the absurdity of the concept of numbers of sexes. Whether we are referring to Laqueur’s one-sex model or two-sex model, the question of difference is predicated on the assumption of the one, against which more like it can be added, or those not like it can be differentiated.
Baudrillard's Challenge; A Feminist Reading by Victoria Grace