By Jay Parini
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Extra resources for American Writers, Supplement XVIII
Three chapters deal with the years in Greenwich Village, yet Dylan brushes aside his motorcycle accident in a single sentence and writes nothing of Newport 1965. Instead readers find lengthy accounts of recording sessions for New Morning and Oh Mercy. This is partly a reminder that a person exists behind the celebrity whose memory of the things that happened to him—moments that stand out as important—may not conform entirely to what his fans remember of him.
2:94–113 (February 1969). ———. Charles Frederick Briggs: A Critical Biography. D. dissertation, Columbia University, 1968. ———. ” In Studies in the American Renaissance. Edited by Joel Myerson. Boston: Twayne, 1979. Woodberry, George. The Life of Edgar Allan Poe. Boston: Houghton Mifflin, 1909. 18 BOB DYLAN (1941—) Ian Bickford England in 1965 and again in 1966. Accompanying him on both occasions was filmmaker D. A. Pennebaker, documenting the commotion of Dylan’s abrupt and enormous fame in what would become Dont Look Back (1967) and Eat the Document (1972).
Greenspan, Ezra. George Palmer Putnam, Representative American Publisher. : Pennsylvania State University Press, 2000. Weidman, Bette S. ” Bulletin of the New York Public Library 73, no. 2:94–113 (February 1969). ———. Charles Frederick Briggs: A Critical Biography. D. dissertation, Columbia University, 1968. ———. ” In Studies in the American Renaissance. Edited by Joel Myerson. Boston: Twayne, 1979. Woodberry, George. The Life of Edgar Allan Poe. Boston: Houghton Mifflin, 1909. 18 BOB DYLAN (1941—) Ian Bickford England in 1965 and again in 1966.
American Writers, Supplement XVIII by Jay Parini