By Michele Rosenthal
Whereas tv this present day is taken without any consideration, americans within the Fifties confronted the problem of negotiating the hot medium's position in the house and in American tradition ordinarily. Protestant leaders--both mainstream and evangelical--began to consider carefully approximately what tv intended for his or her groups and its capability effect on their paintings. utilizing the yank Protestant adventure of the creation of tv, Rosenthal illustrates the significance of the interaction among a brand new medium and its clients in an enticing e-book appropriate for normal readers and scholars alike.
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Additional info for American Protestants and TV in the 1950s: Responses to a New Medium (Religion Culture Critique)
The religious message broadcast should be of the widest appeal, presenting the broad claims of religion, which not only aid in building up the personal and social life of the individual but also aid in popularizing religion and the church. The religious message broadcast should interpret religion at its highest and best so that as an educational factor it will bring the individual listener to realize his responsibility to the organized church and to society. 26 These policies would remain the heart and soul of the Federal Council’s religious radio policy and would continue to shape the vision of the National Council’s BFC through the 1950s, until research and a changing reality in the early 1960s prompted necessary changes.
But despite this rhetoric, the television also served as a focal point for expressing fears of cultural change. Older and more familiar theological and cultural assumptions about play and leisure rhetorically justified these fears. The Christian Century writing about television reveals Protestant anxieties about the strengths of post–World War II Catholicism, the threats of secularism and pluralism, and the weakness of mainline Protestantism. This discourse coexisted alongside articles and essays that promoted tolerance and suggested that Protestants come to terms with the end of their cultural reign.
In the end, however, Morrison avoided positively defining moral leisure, entertainment, or art. 26 American Protestants and TV in the 1950s Unlike the nineteenth-century leaders who strove to Christianize and reform new forms of culture, and who struggled with areas of the fine arts (such as painting), twentieth-century liberal Protestant leaders largely rejected and/or ignored the newer forms of commercial culture. As the fear of losing Protestant America to the Catholics and secularists grew, the cultural confidence of liberal Protestant leaders declined.
American Protestants and TV in the 1950s: Responses to a New Medium (Religion Culture Critique) by Michele Rosenthal